More Layers, More Pattern

If I've laid down patterns, or prints, I'll often let it set and dry a bit before adding in more layers. The dyes are transparent, to a degree, so it will mix to a third color. I like the result and complexity.

Monoprint of Another Type

I printed a silk scarf, and because it was so thin, and the dye deposited on the plastic of the table, I thought it would be fun to transfer that to a second silk scarf. I'm using a stiff wallpaper brush to smooth the surface.

The Power of a Drawn Line

Wendell Castle's new exhibition showcases his sketches and, in this case, a maquette for the sculpture as well. The University Gallery at RIT opened his show tonight, and the statement to draw, and draw a lot, did not go unnoticed.

A Day at Quilt Club

September marks the return to quilt club meetings. The GVQC met, and Ruth Ohol brought a quilt that seemed to have all the good and interesting bits on the reverse side. With ombre fabric and crafty quilting, it was a sight to see.

Iron It Out

I've been direct dying yards with thickened dye. I love the way it moves across the fabric, and holds for deep, saturated color. The iron, just a cheapy, does the trick if I've premoistened the fabric.

Anniversary

I buy glads this day every year to remind me that I carried them at my wedding. Many people who attended that day years ago are now moved on, many have passed on, and many have since come into my life, renewing it. These flowers are markers for how changes continue, year after year.

Humidity

In the vein of "Oh, So That's What You Do," I present my water spritzed fabric, bundled in plastic, ready when I've time to iron. Guess I've dropped that steam iron so many times I dare not put water in it.

Why We Sign Things

Renee Altman, gifted potter, had a booth across from me at the Kenan Center's 100 American Craftsmen in  (you guessed) 1983. For fiber artists, the signature may not be as quickly added, but it's necessary to leave behind the who and when.

Mutual Admiration Society

Last night's closing First Friday at the Nu Mvmnt gallery space saw Amy Vena, who curated and organized the show, and printmakers Connie Mauro and Elizabeth King Durand stop in to see my work. Strong women, all, and happy to be in their company.

Garden Tour

First Thursday of the month is a garden tour, and we revisited Sara's Garden Center. These lotus seed heads are from the same patch I photographed a few years back. They are also my next quilt. Gotta get it on the longarm!

How it Starts

Every day (just about) I eat plain yogurt -- not that weird greek stuff -- and so have lots of containers. These get a heap of dye, mixed in water, then a few blobs of thickened print paste (sodium alginate stuff), stirred to the right smoothness. Then the fun starts.