Pieces and Resistance

Call it the windfall. More than once someone has walked past my design wall and the rush of wind caused the pieces to fall. I discovered tha...

My Gammill is not in constant use, and it jumps into action when needed. I've got a small work for the members' show at Rochester Co...

It's looking at me, and I've no clue what is going on in it's mind. This is the first greeting at the Hemlock Fiber Festival tha...

Knitting socks became automated with this knitting machine. Part of the demonstration area of the Hemlock Fiber Festival, the machine made a...

This little work (20 x 31) 'Lotusland 2' is in the post headed to the Schweinfurth's silent auction. The Quilts=Art=Quilts exhib...

For teaching "The New Big Leaf" I supply a full scale pattern and the instructions to make a freezer paper pattern. So, off to the...

Looking back on the design wall this afternoon, just before I left. It's leaning monochromatic, which may be a reaction to the equinox s...

Glass art uses leading connections as a design element. Traditional quilts often use sashing between blocks to strengthen design by repetiti...

A most wonderful gift came today from Maggie Jarman, a student and enthusiastic quilter from the UK. She has seen my work at The Festival or...

I'm circling back to the exhibit "The Art of the Book & Paper" and this illustration used in a book. What intrigues me is ...

I've two works to go to respective shows, left for the members show at RoCo, right for the silent auction for Quilts=Art=Quilts. But not...