Pieces and Resistance

I've finally cracked open the box with my demo prints from San Diego. Added to the January class, this pile of unfinished work is pretty...

 I use chalk, now just an fragment, to mark the pieces pinned to my design wall. I'll draw the edge of the cut line, plus important cros...

I've added this tip each time I teach improv piecing. If you have more than one machine, set two for sewing. Put one at counter height w...

Across the parking lot is another set of industrial buildings that house galleries and offices. Nancy Valle has part of her studio on the An...

I choose to spend my birthday at a potluck and concert with friend in the singing group. So, I made cupcakes and tried my hand at piping dec...

Tonight's full moon is the smallest of the full moons, at least in appearance, as it is near its apogee. The farthest away from the eart...

Roger Remington's series of works based on the same grid are at RIT's University Gallery. The multiple versions and all are distinct...

Friends took care to grab my pieces that came off exhibit while I was gone. Thanks to Maddy Shoenfeld, the RIT Shop One manager, and organiz...

Back to reality and the studio work. This was waiting patiently for my return, and it didn't take much to edit and scope out what I'...

Out for three and a half weeks was certainly fun, surprising, and fulfilling. And I'm glad to be back home. No, it's not the beauty ...

  As I wind through the reel of pictures of the San Diego Class, I remember that this work, that most all of us loved as it, was not what th...